Press

“Intriguing… rather other worldly” – Verity Sharp, Late Junction

“…longer lyrical excursionshighlight Gvi’s excellent composing skills” – Clive Bell, the Wire

Each arrangement brings a freshness to the pieces… both joyous and meditative” – Chris Baber, Jazz Views

… a remarkable score, played live… Gvirtzman uses percussion, keyboard, an interesting electronic box of tricks and his own voice to accompany, lead and disrupt the action in equal measure – a virtuoso performance in its own right.” – Simon Harding, Theatre Breaks

“…squelching, shuddering soundscapes…” – Tim Band, Time Out

For Monk Spent Youth:

“Fresh and never over-respectful… a hip tribute to the original hipster” – Clive Bell, the Wire

Each arrangement brings a freshness to the pieces… both joyous and meditative… While I am reviewing this after I had compiled my ‘best of’ list for 2019, I wouldn’t hesitate to include this one and heartily recommend it” – Chris Baber, Jazz Views

“Monk Spent Youth is a complete pleasure”  – Ian Mann, The Jazz Mann

For Kandinsky Theatre:

★★★★★ “Wildly inventive theatre company Kandinsky return with a head-spinningly smart show… No-one else makes theatre quite like this.” Time Out

★★★★ “intricately-layered, exquisitely detailed … . It’s deeply sophisticated, sensitive stuff” Time Out

★★★★ “meld[ing] an astonishing complexity of themes, a mastery of form and a deep, deep humanity … another triumph for Kandinsky” Time Out

★★★★★ “Breathtaking stuff… an enormously affecting bit of theatre” – London City Nights

★★★★ “Intricate, compelling, hilarious, moving and multifaceted” – Reviews Hub

★★★★ “a delightful performance that stands out for the originality of its concept and execution” – The Upcoming